Sabina Rosas Obituary, Death – Tragic Passing of New York City Artist Sabina Rosas, 33, Found Dead in Hamptons Spa Amid Shocking Allegations of Homicide by Partner Thomas Gannon, 56; Confession and Suicide Deepen Mystery as Family, Friends, and Community Mourn Unimaginable Loss”
The unexpected and tragic passing of Sabina Rosas, a 33-year-old New York City artist and co-founder of the Ruyo Journal, has sent ripples of shock, sorrow, and confusion throughout her community, as well as across the art world. Rosas, known for her contributions to promoting Central Asian art and for her boundless creative spirit, was discovered dead at the Shou Subi Ban House, a luxury spa retreat in the Hamptons. This harrowing incident has since evolved into a shocking tale of homicide, confession, and suicide, leaving loved ones and authorities grappling with unanswered questions and the heartbreak of her untimely death. This case, enshrouded in tragedy, is one of violence, heartbreak, and an unanticipated loss that will resonate for years to come.
Sabina Rosas, originally from New York City, had checked into the spa retreat in Water Mill, Long Island, over the weekend with her partner, Thomas Gannon, a 56-year-old man from Berlin Township, Pennsylvania. According to reports, the couple arrived at the exclusive $1,000-per-night retreat on Sunday, both seemingly prepared for a relaxing escape from their daily lives. The couple enjoyed the full amenities of the luxury spa, indulging in massages, facials, and the calming ambiance of their high-end retreat, where guests often seek peace and respite from the frenetic pace of life. Yet, by Monday afternoon, this serene sanctuary was marked by tragedy as Rosas’s lifeless body was discovered by an employee of the spa, sparking an investigation that would soon take a dark turn with revelations from Gannon.
Following the discovery of Rosas’s body, Gannon, who had left the spa earlier that day and traveled 220 miles to his residence in Pennsylvania, took his own life. In a confession sent through a message to a family member just before his suicide, Gannon reportedly admitted to causing Rosas’s death. Edward Howell, the coroner for Wayne County, Pennsylvania, confirmed the existence of this confession. However, out of respect for privacy and the ongoing nature of the investigation, authorities have refrained from disclosing the identity of the family member who received Gannon’s message or the precise contents of his final, chilling confession. The confession, though offering a semblance of an answer, has only added to the torment and anguish felt by Rosas’s family, friends, and the broader community of those who knew her.
Details surrounding the exact nature of Rosas’s death remain scarce, with Suffolk County law enforcement releasing only a brief statement confirming that her death was the result of “violence.” They have not provided specifics regarding the cause of death, the type of weapon involved, or the sequence of events leading to the tragedy. The lack of transparency in this closed investigation has fostered an environment rife with speculation, and rumors have proliferated as people seek answers to the haunting questions surrounding Rosas’s final hours.
As the public mourns and grapples with the shock of this loss, the impact on Rosas’s artistic community has been profound. Ruyo Journal, the art publication she co-founded, has been a central platform for showcasing Central Asian art, a field that Rosas deeply cherished and committed herself to. In the wake of her death, Ruyo Journal released a statement on Instagram urging media outlets to respect her memory by refraining from sensationalizing the details of her passing. The publication also addressed an emerging issue involving individuals impersonating Rosas’s loved ones and warned that legal action might be pursued against those spreading private and potentially harmful information. This request, made in the midst of their overwhelming grief, underscores the deep respect Rosas’s colleagues and friends hold for her, as well as their commitment to preserving her legacy and protecting the dignity of her memory.
Rosas’s partner, Thomas Gannon, had been experiencing a tumultuous personal life leading up to the tragedy. Gannon, who had been married to his former wife, Karen, for 25 years, only finalized his divorce in early 2024 after a nearly two-year-long process. The strain and upheaval of a prolonged divorce may have contributed to the emotional and psychological stressors that culminated in this tragic outcome. Yet, any attempt to draw a clear line from these events to the violent loss of Rosas’s life is speculative at best, and only adds layers of sorrow and frustration for those left to mourn.
As the investigation progresses, pressure has mounted on authorities to release more information about the circumstances surrounding Rosas’s death. Members of her community and the general public alike have expressed their dismay over the lack of clarity, hoping that further disclosures will help them come to terms with what happened. Law enforcement, while committed to safeguarding the integrity of the investigation, faces the difficult balance of addressing public demand for answers and respecting the privacy of all those affected.
Rosas’s family, friends, and supporters have remembered her as a vibrant, creative soul whose passion for art was matched only by her compassion and generosity. Her commitment to uplifting artists from Central Asia was a testament to her dedication and vision, a legacy that those closest to her hope will continue in her absence. The mourning period for those who knew her extends beyond personal loss to encompass the collective grief of an entire community, one that admired and cherished Rosas for her contributions and her spirit.
As they wait for further information from law enforcement, Rosas’s loved ones are left to piece together a way forward, bound by the memories of her life and the stark reality of her sudden and tragic departure. The unfolding tragedy surrounding Rosas’s death has reverberated beyond the immediate circles of family and friends, becoming a point of sorrow and reflection for all who knew her.
The Shou Subi Ban House, known as an oasis for peace, introspection, and wellness, has been left with a dark shadow following the events of this week. For staff, guests, and the management, the contrast between their mission and the horror that unfolded within their space is jarring, leaving a lasting imprint on a location where many seek solace and tranquility.
As the community continues to grapple with the loss of Sabina Rosas, her story serves as a somber reminder of life’s fragility and the unpredictable nature of human relationships. The art world has lost a cherished figure, her family has lost a beloved daughter and friend, and countless others have been touched by the emptiness left in the wake of her passing. The circumstances of Rosas’s death remain a painful mystery, one that may never be fully understood or accepted by those who cared for her. And while her life has been cut tragically short, the memories, art, and impact she leaves behind endure as a testament to the beauty, resilience, and strength she embodied.
